Dennis Itumbi has revealed a major legal battle facing Kenya’s Gengetone music scene, with several artists reportedly being sued in the United States.
$1 Million Lawsuit in the US
Speaking on JKLive on April 8, 2026, Itumbi confirmed that artists including Fathermoh are facing a $1 million (KSh128 million) lawsuit in Sacramento.
The case has been filed by Black Market Records and its owner Cedric Singleton, who allege breach of contract after the artists reportedly parted ways with the label.
Controversial ‘Perpetuity’ Contracts
At the heart of the dispute are so-called “perpetuity” contracts—agreements that allegedly grant the label lifetime ownership of an artist’s music and likeness.
Itumbi claimed some of these contracts were signed before the label was officially registered in Kenya, raising serious questions about their legality.
Claims of Digital Suppression
The artists are also said to have faced aggressive copyright enforcement when attempting to release music independently.
According to Itumbi, the label has been issuing takedowns, seizing YouTube revenue, and even tracking billboard appearances to assert ownership—actions that have allegedly stalled the artists’ careers.
Government Steps In
In response, the Kenyan government has pledged legal support to the affected musicians.
The defence is expected to rely on California Labor Code Section 2855, which limits personal service contracts to a maximum of seven years—potentially invalidating “forever” agreements.
Legal Precedent
The case mirrors a previous dispute involving Bruno K, who secured a legal victory against the same label in 2025 over similar claims of exploitation.
Protecting Local Talent
The intervention marks a significant step by the government to safeguard Kenya’s Gengetone and Urbantone movements, ensuring that artists retain control over their intellectual property and creative output amid growing concerns over international exploitation.
